Kathryn Dunlevie
SOLO EXHIBITIONS
| 2008 | FotoFest 2008: Matter Unmasked, Hooks-Epstein Galleries, Houston, Texas |
| 2006 | FotoFest 2006: More than Meets the Eye, Hooks-Epstein Galleries, Houston, Texas |
| Double Take, Chelsea Art Gallery, Palo Alto, California | |
| 2005 | Arts Council Silicon Valley Visual Artist Fellowships in Photography, Triton Museum of Art, Santa Clara, California |
| 2004 | FotoFest 2004: Glimpses, Hooks-Epstein Galleries, Houston, Texas |
| Not at First Glance, Toronto Photographers Workshop: Gallery TPW, Toronto, Canada | |
| 2003 | Urban Entree, Anita Seipp Gallery, Palo Alto, California |
| 2002 | Double Take, Hooks-Epstein Galleries, Houston, Texas |
| FotoFest 2002: Urban Revisions, Rice University, Houston, Texas | |
| Radius Award Exhibition, Palo Alto Art Center, Palo Alto, California | |
| Urban Landscapes, Society for Contemporary Photography, Kansas City, Missouri | |
| 2001 | Arts Council Silicon Valley Visual Artist Fellowships in Photography, Triton Museum of Art, Santa Clara, California |
| 2000 | Paintings, Frederick Spratt Gallery, San Jose, California |
| 1995 | Past Times Three, Institute for Research on Women and Gender, Stanford University, Stanford, California |
| 1994 | Recent Works, San Francisco Museum of Modern Art Artists Gallery, San Francisco, California |
| 1993 | Radius Award Exhibition, Palo Alto Art Center, Palo Alto, California |
| Obsessions, San Jose Art League, San Jose, California | |
| The New Baby’s Dreams, Acme Glass Building, Palo Alto, California | |
| 1992 | New Works, Studio Raid, Los Angeles, California |
| 1990 | Recent Works, Union Gallery, San Jose State University, San Jose, California |
SELECTED GROUP EXHIBITIONS
| 2008 | Rising Stars, Belgravia Gallery, London, England |
| Objects of Power and Devotion: Contemporary Photography from the Americas, Art Museum of the Americas, Washington, D.C. | |
| photographers : network, Studio Thomas Kelner, Seigan, Germany | |
| Realities and Illusions, Marin Museum of Contemporary Art, Marin, California | |
| 2007 | Faith Placed, DeSaisset Museum, Santa Clara, California |
| Things that Roll, Santa Cruz Museum of Art and History, Santa Cruz, California | |
| Opposite City Hall, Pacifica Art League, Palo Alto, California | |
| Four Artists; Four Approaches to Art, Anita Seipp Gallery, Palo Alto, California | |
| Photography / San Francisco, Art Museum of the Americas, Washington DC | |
| Spring Exhibition, Bill Gould Design, San Jose California | |
| An Affair with Art and Artists, Michael Rosenthal Contemporary Art, Redwood City, California | |
| 2006 | ArtLondon, Vertigo Gallery, London, England |
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Curator’s Incubator: The Photograph as Representation and Reflection of Cultural Objects, Maryland Art Place, Baltimore, Maryland |
|
| Obsessive Nature, Heritage Fine Arts Collaborative, San Jose, California | |
| photographers : network, Studio Thomas Kellner, Siegen, Germany | |
| Photography, Paul Allen Center for Integrated Studies, Stanford University, Stanford, California | |
| 2005 | The Diorama, Mission 17, San Francisco, California |
| The Diptych, Hooks-Epstein Galleries, Houston, Texas | |
| Site Creations Mural Project, Red Ink Studios, San Francisco, California | |
| National Prize Show, Cambridge Art Association, Cambridge, Massachusetts | |
| New American Talent, Arthouse, Austin, Texas | |
| Photo San Francisco: San Jose Institute of Contemporary Art, San Francisco, California | |
| Thirty by Thirty, Vertigo Gallery, London, England | |
| Truth and Lies, Mission 17, San Francisco, California | |
| 2004 | The Art of Exchange, Burnes Institut, Stuttgart, Germany |
| Fresh Work IV: Actualities, Southeast Museum of Photography, Daytona Beach, Florida | |
| Kathryn Dunlevie, Jessica Dunne, Judy Krasnick, Toru Sugita, San Francisco Museum of Modern Art Artists Gallery, San Francisco, California | |
| Public Art Commission Exhibition, Smith Andersen Editions, Palo Alto, California | |
| Thirty by Thirty, Vertigo Gallery, London, England | |
| 2003 | Bytes and Pieces: the Art of Contemporary Collage, San Jose Institute of Contemporary Art, San Jose, California |
| 25th Anniversary Exhibition, San Francisco Museum of Modern Art Artists Gallery, San Francisco, California | |
| Recreated Realities, Colorado Photographic Arts Center, Denver, Colorado | |
| Miniatures, Hooks Epstein Galleries, Houston Texas | |
| 2002 | Round One, Hooks-Epstein Galleries, Houston, Texas |
| 2001 | Current Works 2001, Society for Contemporary Photography, Kansas City, Missouri |
| Objects Considered, Bedford Gallery, Walnut Creek , California | |
| 2001 | Narration: Emblem and Sequence in Contemporary Art, Creative Arts Workshop, New Haven, Connecticut |
| The Box, Hooks-Epstein Galleries, Houston, Texas | |
| 2000 | Timekeepers, San Francisco Camerawork, San Francisco, California |
| Inspired by Title, Terrain, San Francisco, California | |
| 1999 | Regional Artists, San Jose Art League, San Jose, California |
| 1998 | Bay Area Video, YLEM at the Exploratorium, San Francisco, California |
| Bay Area Art, The Heritage Fine Arts Collaborative, San Jose, California | |
| The Female Gaze: Women Looking at Men, San Jose Institute of Contemporary Art, San Jose, California | |
| 1997 | Finding the Fulcrum, 111 Minna Street Gallery, San Francisco, California |
| Bra-haus West, Anita Seipp Gallery, Palo Alto, California | |
| 1996 | Recast: The Image Transmuted, Frederick Spratt Gallery, San Jose, California |
| 1995 | On Oscar Wilde, Terrain, San Francisco, California |
| Chair-ished Memories, Anita Siepp Gallery, Palo Alto, California | |
| 1994 | Women and the Body, Works/San Jose, San Jose, California |
| Visual Cymbals, San Jose State University Art Gallery, San Jose, California | |
| Homage to the Bard, Terrain, San Francisco, California | |
| Syntex: 50 Years, Syntex Gallery, Palo Alto, California | |
| 1993 | Gallery Artists, Terrain, San Francisco, California |
| Icons, Objects, Fetishes, Studio Raid, Los Angeles, California | |
| Defying Assumptions: Women and Age, Works/San Jose, San Jose, California | |
| 1992 | Small Works: Jewels to Behold, Studio Raid, Los Angeles, California |
| 1991 | Addressing Images, San Jose Art League, San Jose, California |
| Introductions, Peter Lembcke Gallery, San Francisco, California | |
| Bedford Biennial, Bedford Gallery, Walnut Creek, California | |
| Art First, City of Palo Alto, Palo Alto, California | |
| 1990 | Two Dimensional Reality, San Jose Art League, San Jose, California |
AWARDS AND FELLOWSHIPS
| 2004 | Arts Council Silicon Valley: Visual Artist Fellowship in Photography |
| City of Palo Alto: Award for the Arts | |
| 2003 | Peninsula Community Foundation Artists Fund: Grant Recipient |
| 2002 | Fleishhacker Foundation Eureka Fellowship Award: Nominated Artist |
| Palo Alto Art Center: Radius Award | |
| 2001 | Houston Center for Photography Annual Photography Fellowships: Honorable Mention |
| Adelide Kent Award: Nominated Artist | |
| 2000 | Arts Council Silicon Valley: Visual Artist Fellowship in Photography |
| 1993 | Palo Alto Art Center: Radius Award |
BIBLIOGRAPHY
| 2008 | Allen. “Flights of Fancy at Hooks-Epstein”, Bayou Dawn, March 11 |
| Fielder, Garland. “Kathryn Dunlevie at Hooks-Epstein”, ArtLies, No. 58, Summer | |
| Goodwin-Guerrero, Erin. “Silicon Valley Printmakers Shine at the San Jose ICA”, ArtShift San Jose, Summer | |
| Goodwin-Guerrero, Erin. “Art Party par Excellence”, ArtShift San Jose, Spring | |
| Kellner, Thomas. “women”, photographers : network 2008, June | |
| 2007 | Goodwin-Guerrero, Erin. “Spring Exhibition at Bill Gould Design”, ArtShift San Jose, Spring |
| Nimrod International Journal: Crossing Borders, Spring Summer, Vol. 50, No. 2, The University of Tulsa Press, pp. 95, 190. | |
| 2006 | Gerwers, Thomas. “Photographers:Network, Selection 2006: Imagine”, Profifoto, Nr. 6, juni, pp. 14-21. |
|
Goncalves Borrega, Fabian. “The Object as Representation and Reflection of Cultural Objects”, Maryland Art Place Fourth Annual Curators’ Incubator, pp 2-8. |
|
| Kellner, Thomas. “imagine”, photographers:network selection 2006, June 24. | |
|
Morris, Barbara. “Double Take at Chelsea Art Gallery”, Artweek, Volume 37, Issue 6, July/August, pp 12-13. |
|
| Wallace, Rebecca. “Modern Cubist”, Palo Alto Weekly, Vol. XXVII, No. 66, May 19, p. 11. | |
| 2005 | "ACSV Awards", Artweek, Vol. 36, Issue 4, May, p.2 |
| de la Vina, Mark. "Seven Bay Area Artists Win Arts Council Fellowships", San Jose Mercury News, Mar. 19. | |
| "New American Talent at Arthouse", …might be good, a project of fluent-collaborative, Issue 47, June 24, Austin, Texas. | |
| Nimrod International Journal: Metamorphosis: the Power of Change, Fall/Winter, Vol. 49, No. 1, The University of Tulsa Press, p. 90. | |
| 2004 | "Auction Action: San Jose", International Art Treasures Web Magazine, October. |
| Murphy, James, PhD. Fresh Work IV: Actualities-New Photographic Art Engaging the Themes of Representation, Reality and Illusion, Southeast Museum of Photography. | |
| Nimrod International Journal: Awards 26: Fabulae! What Work Is, Fall/Winter, Vol. 48, No. 1, The University of Tulsa, pp 23, 101, 123. | |
| Simon, Kim. "Kathryn Dunlevie-California", SCANS, Vol. 1, Issue 6, November 21. | |
| Snyder, Don. "Not at First Glance: The Images of Kathryn Dunlevie", Gallery TPW Panascopic Journal, January. | |
| 2003 | Bravo, Monica. “Revisiones urbanas”, La Fotografia Actual, Ano 15, No. 95, pp. 6-9. |
| Fischer, Jack. “Cutting Edge Collage”, San Jose Mercury News, 13 March, p. 1F, 7F. | |
| Paglia, Michael. "Art Beat", Westworld, Sept. 18-24. | |
| 2002 | Reiley, Laura. “Circle Stars”, Palo Alto Weekly, Vol. XXIII, Number 66, May 17, p. 26. |
| "Urban Revisions”, FotoFest 2002: Classicism and Beyond, p.226 | |
| 2001 | Zimmer, William. “Creative Works With a Political Edge”, The New York Times, June 24, p. CT 11. |
| "Arts Council Names Photography Fellows”, Artweek, Vol. 32, Issue 3, March, p. 24. | |
| 2000 | Golonu, Berin. “Previews: Kathryn Dunlevie”, Artweek, Vol. 31, Issue 9, September, pp. front cover, 6. |
| Fischer, Jack. “P.A. Artist Blends Art, Photography”, San Jose Merury News, 1 October, pp. 1E, 9E. | |
| Coleman, Sarah. “Critic’s Choice: Art”, The San Franciso Bay Guardian, Jun 7-13, p. 104. | |
| Knight, Heather. “Artist’s Quirky Vision”, San Francisco Chronicle, 22 September, p. PN3. | |
| "Hot Tickets”, San Francisco Magazine, September. | |
| Hunt, Bill. “Photo SF”, Photo Metro, Vol. 18, Issue 160, September, pp. 24, 28. | |
| Coleman, Sarah. “Timekeepers at SF Camerawork”, Artweek, Vol. 31, Issue 7/8, July/August. | |
| Helfand, Glen. “The Bends”, Camerawork: A Journal of Photographic Art -Timekeepers, Volume 27, No. 1, Spring/Summer, pp. (-18), (+18), (+19). | |
| 1996 | Thoma, Marta.“Issues of Power and Control: The Art of Kathryn Dunlevie”, (detail) A Journal of Art Criticism, Fall. |
| "Cutting Edge Art for a Silent Night”, San Francisco Chronicle, 20 December. | |
| 1995 | Wykes, S. L. “Layering in Her Meanings”, San Jose Mercury News, 3 November. |
| Hayde, Monica. “An Exhibit to Chair-ish”, Palo Alto Weekly, 29 December. | |
| 1994 | Davis, Randal. “Cacophony”, Artweek, Vol. 25, No. 21, 3 November. |
| McQuaid, Sally. “Visual Cymbals: High and Low Notes”, Artist/Writer, November. | |
| Sobel, Ceevah. “Visual Cymbals”, South Bay Area Women’s Caucus for Art Newsletter, December. | |
| Miller, Judith. “Allegories of Fragmentation”, (detail) A Journal of Art Criticism, Fall. | |
| 1993 | Sherman, Ann Elliott. “Art of Ages”, Metro, 15-21 July. |
| Hayde, Monica. “Finding the Radius”, Palo Alto Weekly, 22 July. | |
| McQuaid, Sally. “PACC First Annual Juried Exhibition” Artist/Writer, July. | |
| 1992 | Howell, George. “Exposed and Withholding: Kathryn Dunlevie’s Spiritual Progress”, June. |
| McMaster, Kady. “These Artists are All Heart”, San Jose Mercury News, February 12. | |
| 1991 | Sherman, Ann Elliott.“Clothes Make The Women”, Metro, 8-14 April. |